Tag: artists

  • Submissions diary 7 November 2026

    Here’s your latest digest of creative writing, literary prize, and visual art submission opportunities closing in the coming month (mid-November through mid-December 2026). This update highlights freshly opened submission windows—including Meanjin’s Autumn 2027 reading period and Melbourne’s Small Works Art Prize in Fitzroy—alongside imminent prize cutoffs closing over the next two to four weeks.

    Poetry & Prose Submissions

    • Meanjin (Autumn 2027 / Edition 86.1): Welcomes short fiction (up to 5,000 words), non-fiction essays/memoir (up to 5,000 words), and poetry (up to 3 poems) on the theme of “Storytelling” through 27 November 2026 at 6:00 PM AEST.
    • Westerly Magazine: Accepts short stories, memoir, poetry, creative non-fiction, and visual art for its upcoming print volumes on a rolling basis.
    • Ninth Heaven Literary Journal: Considers poetry, fiction, essays, and visual art exploring Creation & Festivity until 24 November 2026.
    • Joyland Magazine: Reads short fiction submissions across international regions through 30 November 2026, paying contributors for published stories.
    • Onkaparinga Writing & Poetry Competition: Takes flash fiction and poetry up to 500 words on “Stronger Together” through 18 November 2026.
    • Verge 2027 Anthology: Invites unpublished short fiction/essays (up to 2,500 words) or poetry (up to 35 lines) on “Ghosts” from Australian writers until 13 December 2026 via Monash University Publishing.

    Literary Prizes & Competitions

    Competition / PrizeClosing DateForm & LengthEntry FeePrize & Publication Details
    Aurealis Awards 202610 Nov 2026Speculative fiction published by Australians in 2026 (indie & trade)Concession for Writer Centre membersAustralia’s premier sci-fi, fantasy, and horror awards across 16 categories
    F(r)iction Fall Writing Contests13 Nov 2026Short stories (1,001–7,500 words), flash (to 1,000 words), poetry (to 3 pages)Via Submittable$1,000 USD (short story), $300 USD (flash/poetry), plus editorial feedback for finalists
    Lesley Derksen Fellowship15 Nov 2026Visiting fellowship in children’s literature (Writers Victoria)Free entryDedicated research and writing residency support
    Jackie’s Annual Spring Competition30 Nov 2026Verse stories and children’s writing in rhyme and metre (guidelines)Entry fee per pieceCash prizes and direct circulation to Australian children’s publishers
    KYD Creative Non-Fiction Prize30 Nov 2026Narrative or experimental essays (2,500–3,500 words)KYD membership$2,500 AUD first prize, two $1,000 AUD runner-ups, and publication
    Gregory O’Donoghue Poetry Competition30 Nov 2026Unpublished single poems up to 40 lines (open internationally)€7 (or free spots)€2,000 first prize, festival reading in Cork, and publication in Southword
    Bath Children’s Novel Award30 Nov 2026Opening 5,000 words + 1-page synopsis for unpublished juvenile/YA novels£33 (sponsored options)£5,000 prize open to unagented and indie writers worldwide
    Anthology Travel Writing Competition30 Nov 2026Travel essays and creative narratives up to 1,000 words€15€300 first prize and publication in Anthology
    Neilma Sidney Short Story Prize4 Dec 2026Short stories up to 3,000 words loosely themed around “travel”$12 (subscribers) / $20 via Submittable$5,000 AUD first prize, two $750 AUD runner-ups, and publication in Overland
    Judith Wright Poetry Prize4 Dec 2026Poetry up to 80 lines for poets without a full-length collection$12 (subscribers) / $20 via Submittable$6,000 AUD first prize, $2,000 second, and $1,000 third ($9,000 AUD total pool)
    Hawkeye Manuscript Prize12 Dec 2026Unpublished fiction or nonfiction manuscripts up to 80,000 wordsEntry fee appliesCommercial publishing contract plus $3,500 AUD coaching package
    The First 5k Novel Prize31 Dec 2026Opening 5,000 words of an unpublished novel plus 1-page synopsis£27.50 (rules)£5,000 first prize and consultation with literary agent Piers Blofeld

    Visual Art & Photography Calls

    • Small Works Art Prize 2027: Welcomes 2D and 3D submissions (including photography, printmaking, painting, drawing, and sculpture up to 35 × 35 × 35 cm) from Australian and international artists until 15 November 2026 (Midnight AEDT), with all eligible works exhibited at Brunswick Street Gallery in Fitzroy and over $15,000 AUD in prizes.
    • Red Ogre Review: Reviews visual art, photography, and digital illustration submissions for its December 2026 issue until 15 November 2026.
    • Summer Small Works Show & Prize 2026: Accepts artwork (painting, drawing, photography, printmaking, mixed media, or silent video up to A5 / 14.8 × 21 cm) responding to “Emergence” until 22 November 2026 at 11:59 PM AEDT, featuring a $1,000 AUD non-acquisitive first prize and exhibition inclusion.
    • Blue Mesa Review: Reads cover art and interior photography submissions through 30 November 2026.
    • Material Works Art Award: Awards a $2,500 USD grant and online exhibition for visual artists and photographers, closing upon reaching 300 applications or by 6 December 2026.
    • Burwood Art Prize 2027: Accepts 2D artwork, printmaking, and photography submissions through 8 December 2026.
    • Collie Art Prize 2027: Closes 11 December 2026 for painting, photography, and sculpture exploring “Identity”, awarding a $50,000 AUD acquisitive top prize.

    Database links

    To see the complete lists click on the buttons, above. Below are limited RSS feeds from my link database.

    Writing&art

    • Visit the post for more.
    • Click to read Everything the artworld doesn't want you to know, by John McDonald, a Substack publication.
    • A submission platform that makes finding a home for your work easy. Find calls and submit to magazines, presses, and contests. Submit to many organizations at once directly from your portfolio of work or submit directly to a call.
    • Publishing the best poetry and fiction from emerging and established voices since 1966.
    • The Greensboro Review Submission Manager Powered By Submittable – Accept and Curate Digital Content
    • Run by enthusiasts, FilmNeverDie joined the global movement in film & Polaroid photography back in 2011. Film is a very special medium that holds you back in the moment!
    • Wakefield Press is an independent book publishing company based in Adelaide, South Australia.
    • Independent literary press based in Sydney.
    • Find new book releases, best sellers lists and see when your favorite author is making their next appearance.Simon & Schuster AU is your one stop online book store for book and author news.
    • Puncher & Wattmann is an award-winning book publisher supporting quality Australian writing. Contact Puncher & Wattmann for more details.
    • Publishing socially conscious and slightly offbeat books. Running workshops in brand voice, writing and editing for anyone who works with words. Creating custom books and publications for businesses and organisations with a story to tell. Loudly independent and proudly South Australian, based on Kau
    • cargo.site
    • Welcome to Publishing, the home of bold, original writing that excites, entertains and informs new ways of thinking.
  • Submissions diary 31 October 2026

    Here’s your latest digest of creative writing, literary prize, and visual art submission opportunities closing in the coming month (November through early December 2026). This update highlights freshly opened calls—including Overland‘s flagship annual prizes—alongside key deadlines closing over the next three to four weeks across Australia and international platforms.

    Poetry & Prose Submissions

    Literary Prizes & Competitions

    Competition / PrizeClosing DateForm & LengthEntry FeePrize & Publication Details
    Aurealis Awards 202610 Nov 2026Published speculative fiction by Australians in 2026 (indie & trade)Concession for Writer Centre membersAustralia’s premier sci-fi, fantasy, and horror awards across 16 categories
    F(r)iction Fall Writing Contests13 Nov 2026Short stories (1,001–7,500 words), flash (to 1,000 words), poetry (to 3 pages)Via Submittable$1,000 USD (short story), $300 USD (flash/poetry), plus editorial feedback for finalists
    Lesley Derksen Fellowship15 Nov 2026Visiting fellowship in children’s literature (Writers Victoria)Free entryDedicated research and writing residency support
    Jackie’s Annual Spring Competition30 Nov 2026Verse stories and children’s writing in rhyme and metre (guidelines)Entry fee per pieceCash prizes and direct circulation to Australian children’s publishers
    KYD Creative Non-Fiction Prize30 Nov 2026Experimental or narrative essays (2,500–3,500 words)KYD membership$2,500 AUD first prize, two $1,000 AUD runner-ups, and publication
    Gregory O’Donoghue Poetry Competition30 Nov 2026Unpublished single poems up to 40 lines (open internationally)€7 (or free spots)€2,000 first prize, festival reading in Cork, and publication in Southword
    Bath Children’s Novel Award30 Nov 2026Opening 5,000 words + 1-page synopsis for unpublished juvenile/YA novels£33 (sponsored options)£5,000 prize open to unagented and indie writers worldwide
    Anthology Travel Writing Competition30 Nov 2026Travel essays and creative narratives up to 1,000 words€15€300 first prize and publication in Anthology
    Neilma Sidney Short Story Prize4 Dec 2026Short stories up to 3,000 words loosely themed around “travel”$12 (subscribers) / $20 via Submittable$5,000 AUD first prize, two $750 AUD runner-up prizes, and publication in Overland
    Judith Wright Poetry Prize4 Dec 2026Up to 80 lines for poets without a full-length collection$12 (subscribers) / $20 via Submittable$6,000 AUD first prize, $2,000 second, and $1,000 third ($9,000 AUD total pool)
    Hawkeye Manuscript Prize12 Dec 2026Unpublished fiction or nonfiction manuscripts up to 80,000 wordsEntry fee appliesCommercial publishing contract plus $3,500 AUD coaching package
    The First 5k Novel Prize31 Dec 2026Opening 5,000 words of an unpublished novel plus 1-page synopsis£27.50 (rules)£5,000 first prize and consultation with literary agent Piers Blofeld

    Visual Art & Photography Calls

    • Elaine Bermingham National Watercolour Prize closes on 8 November 2026 for landscape paintings, offering a $20,000 AUD acquisitive award administered by the Queensland College of Art and Design.
    • Red Ogre Review accepts visual art, digital illustrations, and photography submissions until 15 November 2026 for publication alongside poetry and essays in its December 2026 issue.
    • Blue Mesa Review considers original artwork and photography series for cover and interior features through 30 November 2026.
    • Material Works Art Award offers a $2,500 USD award and online exhibition for visual artists, painters, and photographers; closes upon reaching 300 entries or by 6 December 2026.
    • BigCi Environmental Awards 2026 invites Australian and international visual artists, photographers, and multidisciplinary creators to apply for two fully funded four-week residencies in the Blue Mountains alongside a $5,000 AUD project stipend.
    • Collie Art Prize 2027 accepts entries on the theme of “Identity” from Australian painters, sculptors, and photographers until 11 December 2026, competing for a $50,000 AUD acquisitive first prize.

    Database links

    To see the complete lists click on the buttons, above. Below are limited RSS feeds from my link database.

    Writing&art

    • Visit the post for more.
    • Click to read Everything the artworld doesn't want you to know, by John McDonald, a Substack publication.
    • A submission platform that makes finding a home for your work easy. Find calls and submit to magazines, presses, and contests. Submit to many organizations at once directly from your portfolio of work or submit directly to a call.
    • Publishing the best poetry and fiction from emerging and established voices since 1966.
    • The Greensboro Review Submission Manager Powered By Submittable – Accept and Curate Digital Content
    • Run by enthusiasts, FilmNeverDie joined the global movement in film & Polaroid photography back in 2011. Film is a very special medium that holds you back in the moment!
    • Wakefield Press is an independent book publishing company based in Adelaide, South Australia.
    • Independent literary press based in Sydney.
    • Find new book releases, best sellers lists and see when your favorite author is making their next appearance.Simon & Schuster AU is your one stop online book store for book and author news.
    • Puncher & Wattmann is an award-winning book publisher supporting quality Australian writing. Contact Puncher & Wattmann for more details.
    • Publishing socially conscious and slightly offbeat books. Running workshops in brand voice, writing and editing for anyone who works with words. Creating custom books and publications for businesses and organisations with a story to tell. Loudly independent and proudly South Australian, based on Kau
    • cargo.site
    • Welcome to Publishing, the home of bold, original writing that excites, entertains and informs new ways of thinking.
  • Submissions diary 24 October 2026

    Poetry & Prose Submissions

    Literary Prizes & Competitions

    Competition / PrizeClosing DateForm & LengthEntry FeePrize & Publication Details
    Not Quite Write Prize for Flash Fiction25 Oct 2026Flash fiction (up to 500 words; 3 prompts in 60 hours)Tiered entryCash prizes and print anthology publication
    SD Harvey Short Crime Story Award30 Oct 2026Crime fiction or non-fiction (2,000–5,000 words; AU residents)$35 AUDNed Kelly Awards recognition and cash prize (details)
    The Varnish Prize for Fiction30 Oct 2026Formally inventive unpublished short fiction (open globally)See guidelinesPublication with Varnish Online; focus on emerging voices
    The 2026 Hope Prize31 Oct 2026Short story or narrative nonfiction on hope/resilience (18+ globally)See portal$13,000 AUD prize pool; Simon & Schuster Australia anthology
    Martha Richardson Memorial Poetry Prize31 Oct 2026Poetry up to 40 lines on the theme “Night” (rules)35AUD(25 members)$1,000 AUD first prize via Ballarat Writers
    The Best of Times Short Story Competition #4231 Oct 2026Humorous short stories up to 2,500 words$12 AUDCash prizes for 1st, 2nd, and 3rd place
    National Poetry Competition 202631 Oct 2026Unpublished poems up to 40 lines (18+ globally)£9 first poem (£6 extra)£5,000 first prize, £3,000 second, £2,000 third
    The Bedford Competition 202631 Oct 2026Short stories (to 3,000 words) & poetry (to 40 lines; 17+ globally)£8.50 (or 3 for £17)£2,000 first prize in each category (details)
    Anthology Poetry Competition 202631 Oct 2026Unpublished poems up to 40 lines (open internationally)€18€1,000 first prize, publication, and Reedsy membership
    Aurealis Awards 202610 Nov 2026Speculative fiction by Australians first published in 2026 (including indie/self-published)Discounted for Writer Centre membersAustralia’s premier sci-fi, fantasy, and horror awards across 16 categories
    F(r)iction Fall 2026 Writing Contests13 Nov 2026Short story (1,001–7,500 words), flash (to 1,000 words), poetry (to 3 pages)Via Submittable$1,000 USD (short story), $300 USD (flash/poetry), plus editorial feedback for finalists
    Gregory O’Donoghue International Poetry Competition30 Nov 2026Unpublished poems up to 40 lines (open internationally)€7 (5 for €30; fee-free spots)€2,000 first prize plus Cork International Poetry Festival reading and accommodation
    KYD Creative Non-Fiction Prize30 Nov 2026Experimental essays (2,500–3,500 words) on any subjectKYD membership required$2,500 AUD first prize, two $1,000 AUD runner-up prizes, and publication
    Bath Children’s Novel Award 202630 Nov 2026First 5,000 words + 1-page synopsis for unpublished YA/children’s manuscripts£33 (sponsored entries)£5,000 prize open to international unagented/unpublished writers
    Anthology Travel Writing Competition30 Nov 2026Articles up to 1,000 words on an authentic travel experience€15€300 first prize and publication in Anthology
    2027 Hawkeye Publishing Manuscript Development Prize1 Dec 2026Unpublished commercial adult, YA, or non-fiction manuscripts (up to 80,000 words; Open & Own Voices)Entry fee appliesTrade publishing contract plus a $3,500 AUD editing and coaching package

    (Note: While listed on several state calendars for 30 November, Perentie Press announced the postponement of the 2027 Perentie Prize, though their Graphic Folk pitch window for public-domain fairytale/folktale graphic novel adaptations opens for the first week of December 2026.)

    Visual Art & Photography Calls


    Database links.

    To see the complete lists click on the buttons, above. Below are limited RSS feeds from lists from my link database.

    Writing&art

    • Visit the post for more.
    • Click to read Everything the artworld doesn't want you to know, by John McDonald, a Substack publication.
    • A submission platform that makes finding a home for your work easy. Find calls and submit to magazines, presses, and contests. Submit to many organizations at once directly from your portfolio of work or submit directly to a call.
    • Publishing the best poetry and fiction from emerging and established voices since 1966.
    • The Greensboro Review Submission Manager Powered By Submittable – Accept and Curate Digital Content
    • Run by enthusiasts, FilmNeverDie joined the global movement in film & Polaroid photography back in 2011. Film is a very special medium that holds you back in the moment!
    • Wakefield Press is an independent book publishing company based in Adelaide, South Australia.
    • Independent literary press based in Sydney.
    • Find new book releases, best sellers lists and see when your favorite author is making their next appearance.Simon & Schuster AU is your one stop online book store for book and author news.
    • Puncher & Wattmann is an award-winning book publisher supporting quality Australian writing. Contact Puncher & Wattmann for more details.
    • Publishing socially conscious and slightly offbeat books. Running workshops in brand voice, writing and editing for anyone who works with words. Creating custom books and publications for businesses and organisations with a story to tell. Loudly independent and proudly South Australian, based on Kau
    • cargo.site
    • Welcome to Publishing, the home of bold, original writing that excites, entertains and informs new ways of thinking.

  • Submissions diary 17 October 2026

    Poetry & Prose Submissions

    • Meanjin (Edition 86.1 – Autumn 2027)
      • Window: Opens Friday, 23 October 2026 (midday AEST) and closes Friday, 27 November 2026 (6:00 PM AEST)
      • Categories & Limits: Short fiction (up to 5,000 words), non-fiction essays and memoir (up to 5,000 words), and poetry (up to three poems).
      • Focus & Terms: Broad overarching theme of “Storytelling”. Contributions are paid standard industry contributor rates upon publication. Submissions are processed via Submittable. (Source)
    • The Varnish Prize for Fiction 2026 (Varnish Literary Journal)
      • Closing Date: Friday, 30 October 2026
      • Form & Scope: Original fiction that discards traditional brevity limits to encourage longer, thematically complex narrative exploration.
      • Terms: Guest judged by 2025 winner Oscar Revelins alongside the editorial team; winner receives publication in Varnish. Submissions handled via email. (Source)
    • Australian Poetry Collaboration Issue 41 (Meuse Press)
      • Closing Date: Wednesday, 28 October 2026
      • Scope: Seeking collaborative poems written jointly by two or more poets.
      • Format: Unrestricted themes; submission via editorial guidelines. (Source)
    • Curtis Brown Australia — Open Submissions Month
      • Closing Date: Saturday, 31 October 2026
      • Scope: Literary agency open window accepting unsolicited manuscript proposals and query letters across literary fiction, commercial fiction, narrative non-fiction, and YA without requiring agent referral. (Source)

    Literary Prizes & Competitions

    • National Poetry Competition 2026 (The Poetry Society)
      • Closing Date: Saturday, 31 October 2026
      • Form & Scope: Single poems in English, maximum 40 lines. Open to writers aged 18+ worldwide.
      • Prizes & Terms: £5,000 first prize; £3,000 second prize; £2,000 third prize; plus seven £500 commendations.
      • Entry Fee: £9 for the first poem; £6 for each subsequent poem. (Source)
    • The Bedford Competition 2026
      • Closing Date: Saturday, 31 October 2026
      • Form & Scope: Short stories up to 3,000 words and poetry up to 40 lines on any theme. Open internationally (17+).
      • Prizes & Terms: £2,000 first prize in each section (£400 second, £200 third).
      • Entry Fee: £8.50 per entry, or three entries for £17. (Source)
    • The Hope Prize 2026
      • Closing Date: Saturday, 31 October 2026
      • Form & Scope: Original short fiction between 2,000 and 5,000 words exploring hardship, poverty, or disadvantage through resilience, dignity, and hope.
      • Prizes & Terms: AU$13,000 total prize pool (AU$10,000 first prize; AU$2,000 second; AU$1,000 third).
      • Entry Fee: Free. (Source)
    • SD Harvey Short Crime Story Award 2026 (Australian Writers’ Centre)
      • Closing Date: Friday, 30 October 2026
      • Form & Scope: Crime fiction between 2,000 and 5,000 words by Australian residents.
      • Prizes & Terms: AU$1,000 cash prize.
      • Entry Fee: AU$35. (Source)
    • Martha Richardson Memorial Poetry Prize 2026 (Ballarat Writers Inc.)
      • Closing Date: Saturday, 31 October 2026
      • Form & Scope: Single poems up to 40 lines on the theme “Night”.
      • Prizes & Terms: AU$1,000 first prize, AU$400 second, AU$100 third.
      • Entry Fee: AU$35 standard (AU$25 for BWI members; AU$15 per extra poem). (Source)
    • Onkaparinga Writing & Poetry Competition 2026 (Writers SA / City of Onkaparinga)
      • Closing Date: Wednesday, 18 November 2026 (5:00 PM ACDT)
      • Form & Scope: Flash fiction and poetry up to 500 words on the theme “Stronger Together”, exploring community, resilience, and intergenerational connections. Open to SA writers and those with ties to the region.
      • Categories & Awards: Flash Fiction (18+), Poetry (18+), and Youth (12–17). AU$100 prize per category winner. (Source)

    Visual Art & Photography Calls

    • The Elaine Bermingham National Watercolour Prize 2026 (Griffith University / QCAD Galleries)
      • Closing Date: Sunday, 8 November 2026 (11:59 PM AEST)
      • Medium & Focus: Watercolour explorations of landscape (broadly defined to include land, environment, seascape, rural, or urban habitat; representational or abstracted).
      • Prizes & Exhibition: AU$20,000 non-acquisitive major prize. Shortlisted works shown at QCAD Galleries, South Bank, Brisbane from 10 December 2026. Open to Australian artists 18+. (Source)
    • Small Works Art Prize 2027 (Brunswick Street Gallery, Fitzroy)
      • Closing Date: Sunday, 15 November 2026 (Midnight AEDT)
      • Mediums & Dimensions: All 2D and 3D media, including photography, printmaking, painting, drawing, and sculpture. Artwork must not exceed 35 × 35 × 35 cm (inclusive of framing).
      • Prizes & Exhibition: Over AU$15,000 in prizes (including two AU$2,000 solo exhibition packages). All eligible entered works will be exhibited in the gallery from 9–23 January 2027. Full entry guidelines are on the BSG Information Page. (Source)
    • Summer Small Works Show & Prize 2026
      • Closing Date: Sunday, 22 November 2026
      • Mediums & Dimensions: Open to Australian artists 18+ working in drawing, photography, painting, printmaking, mixed media, or short silent moving-image. Artworks must be created in 2026 and measure no larger than A5 (14.8 × 21 cm, max depth 14.8 cm). Theme: “Emergence”.
      • Prizes & Terms: AU$1,000 non-acquisitive major prize, eleven AU$100 non-acquisitive awards, and inclusion in the 2027 calendar. Exhibition runs 3–23 December 2026. (Source)
  • Submissions diary 10 October 2026

    Here is a digest of active publishing opportunities, prizes, and open calls across creative writing and visual arts for the week of Saturday, 10 October 2026:

    Literary Prizes & Competitions

    • Australian Book Review – 2027 Peter Porter Poetry Prize
      • Closing Date: 14 October 2026, 11:59 PM AEDT
      • Category: Poetry (single poem, maximum 60 lines, open theme)
      • Eligibility & Rules: Open to all poets writing in English worldwide. Poems must be original and previously unpublished.
      • Prizes & Entry Fee: AU$6,000 first prize; AU$1,000 for each of four shortlisted poets (AU$10,000 total pool). All shortlisted poems are published in *ABR*. Entry fee is AU$30 (AU$20 for current ABR subscribers). Details and listing also available via Writing NSW’s October Calendar.
    • The 2026 Hope Prize
      • Closing Date: 31 October 2026, 11:59 PM AEDT
      • Category: Short fiction or creative non-fiction/memoir
      • Eligibility & Rules: Open to writers aged 18+ internationally. Submissions must explore themes of hope, courage, or resilience; maximum 5,000 words (no minimum); double-spaced. Submit via The Hope Prize Submission Portal.
      • Prizes: AU$13,000 total prize pool (AU$10,000 first prize supported by Simon & Schuster Australia and Readings Books; AU$2,000 second; AU$1,000 third). Winning and highly commended stories will be published in a Simon & Schuster anthology.
    • SD Harvey Short Crime Story Award
      • Closing Date: 30 October 2026
      • Category: Crime fiction / Mystery short story
      • Eligibility & Rules: Stories between 2,000 and 5,000 words incorporating classic elements of suspense, mystery, investigation, or crime. Presented in association with the Australian Crime Writers Association.
      • Prizes & Entry Fee: $1,000 first prize; entry fee $35.
    • Martha Richardson Memorial Poetry Prize 2026
      • Closing Date: 31 October 2026
      • Category: Poetry (open theme, maximum 40 lines)
      • Eligibility & Rules: Administered by Ballarat Writers; judged by Australian author and poet Melissa Ashley.
      • Prizes & Entry Fee: $1,000 first prize, with additional regional writer awards. Entry fee applies via TryBooking.
    • Geelong Writers Ekphrastic Challenge #10
      • Closing Date: 25 October 2026
      • Category: Flash fiction, short prose, or poetry (maximum 300 words)
      • Eligibility & Rules: Open to members and non-members responding to the designated October artwork prompt.

    Poetry & Prose Submissions (Journals, Agencies & Presses)

    • Curtis Brown Australia – Open Manuscript Submissions
      • Reading Window: 1 October – 31 October 2026
      • Category: Commercial & literary fiction, narrative non-fiction, memoir, and YA/children’s manuscripts
      • Eligibility & Rules: Open to unagented writers who are residents of Australia and New Zealand. Requires a one-page synopsis, author bio, and sample chapters (first 50 pages) submitted via their online agency portal.
    • Overland Literary Journal – Submissions
      • Status: Open for general submissions
      • Category: Short fiction (up to 3,000 words), poetry (up to 3 poems per submission), and creative essays
      • Guidelines & Payment: Actively seeking progressive and experimental writing. Accepted print and online contributors receive standard industry rates (AUD $150–$500+ depending on genre and format).
    • The Freelance Writing Network Lit Mag Roster – October Open Windows
      • Status: Windows closing late October / early November 2026
      • Featured Publications:
        • The Iowa Review: General submission window open through October for fiction, poetry, and non-fiction.
        • The Massachusetts Review: General reading period open for essays, stories, and poetry.
        • Foglifter Journal: Submissions open for upcoming print issues focusing on hybrid forms, non-fiction, and poetry.
    • Phosphorescent Lit – Issue 3: “Fever”
      • Closing Date: 16 November 2026 (04:59 UTC)
      • Category: Poetry (up to 3 poems) and short prose (fiction/creative non-fiction up to 2,500 words)
      • Theme: “Fever” — exploring heat, delirium, obsession, intensity, and illness. Fee-free general submission route.

    Visual Art & Photography Calls

    Here is your weekly digest of active publishing opportunities, literary prizes, and visual art open calls, cross-referenced against your tracked bookmarks and regional directory listings:

    1. Literary Prizes & Competitions

    • Peter Porter Poetry Prize 2027 (Australian Book Review)
      • Closing Date: Wednesday, 14 October 2026 (Midnight AEDT)
      • Form & Scope: Single poems in English, maximum 70 lines. Open internationally to poets of any citizenship.
      • Prizes & Terms: AU$10,000 total prize pool (AU$6,000 first prize; four shortlisted poets receive AU$1,000 each and publication in ABR).
      • Entry Fee: AU$30 (or AU$20 for current ABR subscribers). (Source)
    • The Hope Prize 2026
      • Closing Date: Saturday, 31 October 2026
      • Form & Scope: Prose short stories between 2,000 and 5,000 words exploring the experience of people facing hardship, poverty, or marginalisation with resilience, dignity, and hope. Open globally (18+).
      • Prizes & Terms: AU$13,000 prize pool (AU$10,000 first prize; AU$2,000 second prize; AU$1,000 third prize).
      • Entry Fee: Free to enter. (Source)
    • SD Harvey Short Crime Story Award 2026 (Australian Writers’ Centre)
      • Closing Date: Friday, 30 October 2026
      • Form & Scope: Original, unpublished crime fiction between 2,000 and 5,000 words. Open to writers residing in Australia.
      • Prizes & Terms: AU$1,000 first prize. Judged on narrative tension, plotting, and characterisation.
      • Entry Fee: AU$35. (Source)
    • Martha Richardson Memorial Poetry Prize 2026 (Ballarat Writers Inc.)
      • Closing Date: Saturday, 31 October 2026
      • Form & Scope: Poems up to 40 lines. Theme: “Night”.
      • Prizes & Terms: AU$1,000 first prize, AU$400 second prize, AU$100 third prize.
      • Entry Fee: AU$35 per poem (AU$25 for BWI members; AU$15 for subsequent poems). (Source)
    • Neilma Sidney Short Story Prize 2026 (Overland)
      • Closing Date: Friday, 4 December 2026 (Midnight AEDT)
      • Form & Scope: Short fiction up to 3,000 words loosely themed around the concept of “travel”.
      • Prizes & Terms: AU$5,000 first prize and publication in *Overland*; two runner-up prizes of AU$750 each.
      • Entry Fee: AU$20 general entry / AU$12 subscribers. (Source)
    • Judith Wright Poetry Prize for New and Emerging Poets 2026 (Overland)
      • Closing Date: Friday, 4 December 2026
      • Form & Scope: Original poetry up to 80 lines by writers who have not yet published a full-length commercial poetry collection.
      • Prizes & Terms: AU$9,000 prize pool (AU$6,000 first prize; AU$2,000 second; AU$1,000 third) plus publication.
      • Entry Fee: AU$20 non-subscribers / AU$12 subscribers. (Source)
    • Hawkeye Publishing Manuscript Development Prize 2027
      • Closing Date: Friday, 12 December 2026 (6:00 PM AEST)
      • Form & Scope: Full unpublished fiction or narrative non-fiction manuscripts up to 80,000 words.
      • Prizes & Terms: Traditional trade publishing contract with Hawkeye Books plus an author coaching and structural/line editing package valued at AU$3,500. Two categories awarded: Open and Own Voices.
      • Entry Fee: AU$45 standard / AU$99 with comprehensive written assessment. (Source)

    2. Poetry & Prose Submissions

    • Meanjin (Edition 86.1 – Autumn 2027)
      • Submission Window: Opens Friday, 23 October 2026 (Midday AEST) — Closes Friday, 27 November 2026 (6:00 PM AEST)
      • Categories: Poetry (up to 3 poems), Short Fiction (up to 5,000 words), and Non-Fiction/Essays (up to 5,000 words).
      • Theme & Guidelines: Broad overarching theme of “Storytelling”. All accepted contributions are paid upon publication. Portals open on Submittable. (Source)
    • Curtis Brown Australia — Open Submissions Month
      • Window Closes: Saturday, 31 October 2026
      • Scope: Literary agency accepting unsolicited queries and manuscript proposals across literary fiction, commercial fiction, narrative non-fiction, and young adult writing without prior referral. (Source)
    • Australian Poetry Collaboration Issue 41 (Meuse Press)
      • Closing Date: Wednesday, 28 October 2026
      • Scope: Seeking collaborative poetic works written jointly by two or more poets.
      • Submission: Electronic submission via editorial guidelines. (Source)
    • Overland (General Submissions)
      • Status: Open / Ongoing on Submittable
      • Scope: Essays, critical reviews, fiction, cultural commentary, and political writing.
      • Contributor Rates: Standard industry rates apply (AU$150–AU$500 depending on length and print vs. online placement). (Source)
    • One Sentence Poems & Eunoia Review
      • Status: Open / Year-round rolling submissions
      • Scope: Single-sentence poetry (One Sentence Poems) and short fiction/poetry/creative non-fiction with rapid turnaround (Eunoia Review). Both accessible directly via your Raindrop writing collection.

    3. Visual Art, Photography & Illustration Calls

    • Aesthetica Art Prize 2026/2027
      • Closing Date: Sunday, 11 October 2026 (Late entries accepted through 18 October 2026)
      • Mediums: Photography, digital media, drawing, painting, mixed media, sculpture, and video art.
      • Prizes & Terms: £10,000 Main Art Prize, £1,000 Emerging Art Prize, group exhibition in York, and publication in the Future Now: 100 Contemporary Artists anthology.
      • Entry Fee: Registration via site checkout. (Source)
    • Small Works Art Prize 2027 (Brunswick Street Gallery, Fitzroy)
      • Closing Date: Sunday, 15 November 2026 (Midnight)
      • Mediums & Specs: Open to all 2D and 3D media (including photography, drawings, printmaking, painting, and small sculpture). Artwork must not exceed 35 × 35 × 35 cm.
      • Prizes & Exhibition: Over AU$15,000 in prizes, including two AU$2,000 solo exhibition packages and category awards. All eligible entries will be hung in the exhibition from 9–23 January 2027.
      • Entry Details: Detailed entry and hanging requirements available on the BSG Information Page. (Source)
    • Red Art Prize 2027 (Red Gallery, Fitzroy North)
      • Closing Date: Sunday, 20 December 2026 (or until gallery exhibition capacity is reached)
      • Mediums: Open-call exhibition launching the 2027 season for 2D and 3D contemporary visual art, drawing, print, and photography.
      • Entry Fee: From AU$60. (Source)
    • Collect Art — Open Call for Photography & Fine Art
      • Closing Date: Thursday, 15 October 2026
      • Scope: Curated international feature issue for street photography, documentary photography, and contemporary drawings/paintings.
      • Format: Up to 12 high-resolution images, brief artist statement, and bio. (Source)
  • unfurl /7

    unfurl /7

    writing+art

    unfurl /7 image by Ryota Hisanabe.

  • This happened …

    This happened …

    Late in 2019, the Australian prime minister (marketing guru and shitty-pants Scott Morrison, ‘Sco-Mo’ to you) and his theatre assistants removed the federal administration’s arts appendix. One moment the word ‘Arts’ appeared somewhere in the names of government departments, and the next it had gone. Snip! And he chucked it in the bin. 

    Well, not exactly… ‘Arts’ was removed from a department’s name. To compensate, the yarts (as they are called in Australia) got an office. The Office of the Arts: <https://www.arts.gov.au/>. Never have the arts and government been so closely aligned than in this uniform resource locator.  

    There were articles in newspapers, outrage on the arts websites, and a long rash of angry emojis at the end of comments on Facebook.  

    The conservative government in Australia, returned at the May 2019 election by a slender margin, had decided a feature of the victory after-party would be to show the country’s angry, artistic child the door. “Your mother and I are tired of you! Always with your hand out, and never a word of thanks! Get a job!” And then, the ‘clap’ of the fly-screen door and a barely audible ‘clack’ of its tiny snib that seemed to say, “And don’t come back.”  

    Making art is a patient, lonely business. Making any progress seems to require years of practice and a bit of luck. Guidebooks and internet articles about being an artist, full of advice and clichés, pile up very quickly. Be yourself. Tell your truth. Talent is important, endurance essential. In the age of Instagram, sexy drawings and a bubble-butt are handy, but not essential (or so they say). Governments are not needed, but academic sinecures, supervising doctorates in novel-writing or discussions of queer theory, good if you can get them. When universities are financially sous vide, as they will be emerging from the 2020–forever pandemic, place bets at long odds that the arts will be favored for rehabilitation.  

    Governments, truth be told, don’t want to help. The governing classes are too busy ‘governing,’ which might as well mean lying, or fudging, or crying crocodile tears, or making a killing on the stock market, or taking a holiday in Hawai’i. To be the governor is to be the winner, the one who calls the shots, to be ‘the decider.’ From their high station in life these decider-governors have a role in narrating our social experience. They have a role we give them in legislating to tell us what is and is not important. (Have you noticed how very often our prime minister tells us what is important, and how very important is the very thing he is now saying?) It’s been a long time since governors of any stripe have shown us how the arts and sciences are important. Business, the economy, the stock market, and jobs are important. Wages growth, arts, and science, women, not so much.  

    UNFURL, my arts publishing project, was a reaction to artists’ reactions to government biases against the arts. Who needs government money anyway? I thought. It turns out, lots of people working in the arts need audiences, and it’s not easy to find and maintain audiences without government assistance. And, even within my narrow range of interests—writing and visual arts—the connections between arts activity and funding are deep. Poetry is not the malnourished tenant of the attic it was in Australia in the mid-1980s. The long lists of books for review and the number of official insignia on web pages are two possible measures of this.  

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    At the same time, long-established literary magazines have had their funding cut. There is money for the arts, so long as it is going to places where the expenditure can be seen to be spent. Government wants the internet to sing “Hey, big spender!” while it cuts funding to Meanjin and others. It may be partly Meanjin’s fault: it has had nearly thirty years to figure out how to get its great store of content online for prospective subscribers to access, while the failure to do so begins to look like obstinacy.  

    UNFURL asked writers and artists to promote their own work to their own social media contacts while doing the same for other artists and writers: it’s a tool for artists to find new audiences and readers. UNFURL /1 started with a couple of writers I knew, Davide Angelo and James Walton, and a writer whom Angelo recommended, Anne Casey. Susan Wald, also published in the first UNFURL, was a painter whose work I liked and who had an exhibition planned for early 2020. I wanted to establish a process that could lead to unexpected choices. I would try not to make selections. I wanted artists to select or recommend other artists; and I wanted those artists to choose for themselves what they wanted to show with as little mediation as possible, encouraging people to show and to publish work they liked, and that might not have been selected (or grouped together) by an editor or curator.  

    Government wants the internet to sing “Hey, big spender!” while it cuts funding to Meanjin and others. It may be partly Meanjin’s fault: it has had nearly thirty years to figure out how to get its great store of content online for prospective subscribers to access, while the failure to do so begins to look like obstinacy.

    It is more efficient to work on all one’s secret agendas simultaneously, so I should also admit my concern that belle-lettrist aesthetics (including the idea that poetry is language’s semantics incubator) and faux-modernist experimentation have combined to make poetry mostly irrelevant and a branch of marketing. —One only has to look at the writing being selected by the selectors to see that something is wrong with the practice of selection. As much as possible, I think, best to leave artists to make their own choices; and if there are mistakes, then, we’ll know who to blame. 

    And then, in March 2020 … then was the actual end of the world-as-we-knew-it. Those crazy ‘preppers’ I’ve made fun of started to look like visionaries. “Where the fuck is my bolthole, goddammit!?” and “How big is your bolthole, my friend!?” could have been common questions in some circles. People who could afford it, and had somewhere to go, did leave town. Gen-Xers lost their hospitality jobs, decided that they couldn’t afford their share house rent, and moved back ‘home.’ Artistes no longer had audiences. Artiste-enablers, stagehands, administrators and carpenters, were also out of work.  COVID-19 put the arts and sciences back in the news. 

    The intersectional tragedy of pandemic and conservative political hostility to the lefty arts seemed to many like another opportunity to turn indifference into punishment. It was hard to disagree with pundits who have been cataloging this punishment.   

    UNFURL, possibly because of all this, has done quite well. By the time UNFURL /5 was released, writers and artists could expect to reach about two thousand readers within a couple of weeks of publication. (Each new UNFURL number provided a little boost to the previous issues, so that all the issues now clock up numbers in the thousands.) Eighty per cent of readers were in Australia, and most of the rest in the USA, Canada, UK and Ireland. The male:female ratio of readers was almost 50:50. The largest age group of readers was 18–35 years. (Though if everyone is ten years younger on the internet, maybe that’s 28–45.)  

    It’s difficult to read poetry on small-screen devices, so I did not expect UNFURL to be read on phones. The visual arts component of UNFURL is quite effective on phones and tablets, however. It seems likely that readers interested in the writing in UNFURL resorted to their desktops and printers. Sixty to seventy percent of downloads of UNFURL were to mobile and tablet devices.  

    I learned that women writers (poets) had a ‘stronger’ following among women readers than men had among readers of any kind. It was very apparent, with Gina Mercer, for example, that a very significant number of readers returned more often, subscribed more often, and were women.  

    I learned that women writers (poets) had a ‘stronger’ following among women readers than men had among readers of any kind. It was very apparent, with Gina Mercer, for example, that a very significant number of readers returned more often, subscribed more often, and were women.  

    I learned that social media isn’t the be-all and end-all of connecting with an audience. Old-fashioned email also works really well. Some artists and writers had no significant social media presence but used email effectively to communicate with friends and contacts.  

    I also learned that visual artists were, generally speaking, more enthusiastic and positive about using social media, and even better at basic stuff like answering messages. Visual artists be like Molly Bloom; writers be like Prince of Denmark.  

    I found that both writers and artists did things in UNFURL other publications might not permit (requiring, as they mostly do, first publication rights). Philip Salom published groupings of new and old poems. Alex Skovron published poems, prose, paintings, and drawings. Steven Warburton published a series of pictures about how one canvas evolved over several years. Robyn Rowland published poems and their translations into Turkish for her readers in Turkey. Ron Miller published a brief survey of his life’s work in space art.  

    All that and more to come.  


    Published first on the website of Stephen J Williams.