Author: Stephen J. Williams

  • Marcia Jacobs

    Marcia Jacobs

    Melbourne-born Marcia Jacobs lived in New York (1977–93) where she worked as editorial assistant at Doubleday Publishing for Jacqueline Kennedy Onassis. On her return to Australia, Marcia devoted her time to teaching and more recently, writing. Her essays and poems have appeared in various literary journals and anthologies here and abroad. These include MeanjinWesterlyPoetica MagazineVoices Israel and Singing For All He’s Worth—Essays in Honour of Jacob G. Rosenberg (Picador).

    Marcia is the daughter of the late Australian poet and author Jacob G. Rosenberg, winner of the National Biography Prize (2007) for his memoir East of Time.

    She is also the mother of three daughters, each one an artist in her own right.

  • unfurl /4

    unfurl /4

    Steve Cox, Gloria Stern,
    Ali Whitelock, Steve Warburton, Sebastian Steensen

    Screenshots (~10MB PDF)

  • Gloria Stern

    Gloria Stern

    Gloria Stern is a visual artist currently living and working in Melbourne, Australia. She grew up in Melbourne and originally trained in Graphic Design. After working in the design industry for several years both in England and Australia, she then switched across to full time painting. Since 1996, she has had 12 solo exhibitions and has been included in numerous group shows.

    Gloria’s paintings have been acquired for private collections in Australia, UK, USA, and New Zealand. Her works are also featured in the collections of Cowan Design, Melbourne, and the City of Boroondara Collection, Melbourne.

    I have always been interested in exploring both figuration and abstraction in my painting, however, over the last couple of years, I made a conscious effort to remove the figurative element from my work in order to explore spatial relationships, colour and atmosphere within abstraction more deeply. This body of work led up to my last solo exhibition “Altered Space” in 2019. Since then, my interest in the figure is returning, but I think, in a less literal way than before. I am currently exploring ways of using figurative elements as more integrated abstract shapes, that allow for a freer interpretation of meaning.

    Gloria Stern

    Website: ‹www.gloriasternart.com

    Instagram: ‹www.instagram.com/gloriasternart

    Facebook: ‹www.facebook.com/gloria.stern.18

  • Steven Warburton

    Steven Warburton

    Steven Warburton is currently working (in Emerald) and exhibiting in Melbourne, Australia. Since completing a Fine Arts degree at Monash University, Steve has exhibited widely, in group and solo exhibitions. His paintings and drawings are held in collections Australia-wide and internationally.

    As an artist’s work is a reflection of his or her emotions, ideals, thoughts and influences, it is necessary to understand the importance the work plays in the artist’s life.

    My work is the direct result of things that I have borne witness to, overheard in conversations, observed in the media or dreamt. It reflects my right to express my thoughts, in a way I hope will be accessible to the viewer, both aesthetically and literally.

    As the world around us changes, the environment, the politics, our society, thus my imagery changes too.

    Steven Warburton

    www.stevenwarburton.net

  • Sebastian Steensen

    Sebastian Steensen

    Sebastian Steensen is a Melbourne-based artist who has worked for over 20 years in the areas of painting, drawing and, occasionally, printmaking and photography.  

    After tertiary studies in Fine Arts, and a stint as an art teacher in China, I’ve staged a few one-person exhibitions, and been included in group exhibitions. 

    My work is strongly figurative, and it follows the tradition of western narrative painting. I believe it is informed by my drawing ability. But, technically, I always wish to combine this with painterly aspects, by which I hope to move the imagery beyond illustrational ‘recording,’ into more robust psychological territory.  

    Sebastian Steensen
  • unfurl /3

    unfurl /3

    Steve Cox, Alex Skovron, Gina Mercer, Les Wicks

    Screenshots (20+MB PDF)

  • Lee James Shott

    Lee James Shott

    Lee James Shott was born in Aberdare in the Cynon Valley area of Rhondda Cynon Taf, Wales (UK), and holds an M.A. in Fine Art.

    Shott’s paintings subjectively capture the contemporary culture of communities throughout South Wales. The work focuses on human interactions and the idiosyncrasies of his daily life, observations of people and their interactions, night-time walks, and commuting by public transport.

    Shott paints both landscapes and portraits that are at once psychological and voyeuristic, implying that the viewer is surveying and surveilling his environments and subjects.

    The work, seen as a whole, includes portraits with blurred and fragmented features along with figurative images of workers and young people. His landscape paintings often show machinery in the green valleys of South Wales. Each painting is a precise, and precisely ambiguous, moment of life.


  • Ali Whitelock

    Ali Whitelock

    Ali Whitelock is a Scottish poet and writer living on the South coast of Sydney with her French, chain-smoking husband. Her latest poetry collection, the lactic acid in the calves of your despair, is published by Wakefield Press and her debut collection, and my heart crumples like a coke can (Wakefield Press, 2018) has a forthcoming UK edition by Polygon, Edinburgh. Her memoir, Poking seaweed with a stick and running away from the smell, was launched at Sydney Writers Festival to critical acclaim in Australia (2008) and the UK (2009).

    Poetry was not something I ever thought was for me. I hated it in school and never read it as an adult. Then I turned fifty and, by some bizarre twist of fate, started writing my own.

    The more poets I got to know, the more I was astonished to learn that many of them had been writing poems since they could hold a pen and had parents who’d recite verse to them morning, noon and night. How I longed for one of those poetic pipe-smoking fathers in corduroys sporting a tweed jacket with leather elbow patches, who’d read poetry to me in the evening by a roaring log fire. In my childhood, the only poem remotely hinted at in our house was ‘A Red, Red Rose’ once a year on St Valentine’s day. In short, our house was empty of poetry, literature, logs and books in general.

    In an interview, brilliant Scottish writer Andrew O’Hagan told the interviewer there were no books in his home when he was growing up. After the interview Andrew’s father called him, more than a little annoyed, “What do you mean, you grew up in a house with no books? Sure there was a green book sitting on top of the fridge for years!” To which Andrew replied, “Dad, that was the Kilmarnock phone directory.” So the great Andrew O’Hagan and I shared similar book-less upbringings, but clearly that’s where the similarities between us end.

    Two-thirds of the way through high school I was removed from the English class in order to make way for a student with more promise. I was put into geography. It wasn’t entirely useless—I can now read an ordnance survey map with great confidence, name the deepest ocean at the drop of a hat, dazzle at dinner parties trundling out the capital cities of the world like a trained chimpanzee.

    Eventually I ran away from my geographical and non-bookish past in Scotland to Australia. Did my past catch up with me? Absolutely. But Australia offered me something Scotland at that time did not: endless skies, super-sized servings of ‘she’ll be right’; affordable therapy and a chance happening upon a secondhand book, when I was forty nine, called Eight American Poets. When I opened its pages I discovered John Berryman, Robert Lowell, Sylvia Plath, Anne Sexton. My mouth fell open like a drawbridge and I allowed these poems to march on in.

    Ali Whitelock

    Read Ali Whitelock’s poetry.

    Review of the lactic acid in the calves of your despair.

    You can read more about Ali at her website, ‹www.aliwhitelock.com›.


    Virtual launch of the lactic acid in the calves of your despair

    An UNFURL special project


  • Robyn Rowland AO

    Robyn Rowland AO

    Robyn Rowland is an Australian citizen and has been visiting Ireland for thirty-six years and living in both Connemara and Australia for over twenty years. She regularly works in Turkey. She has written fifteen books, twelve of poetry.

    Four of her books came out of the Irish landscape and history. Then her interests were caught in Turkey and the old Ottoman Empire. In 2015 came the ground-breaking history in poetry, her bi-lingual This Intimate War Gallipoli/Çanakkale 1915 – İçli Dışlı Bir Savaş: Gelibolu/Çanakkale 1915 (Five Islands and Bilge Kultur Sanat; republished, Spinifex Press, Australia, 2018). Turkish translations by Mehmet Ali Çelikel.

    In Mosaics From The Map (Doire Press, 2018) again history lived in the intimate. Personal stories explored war, change, family and friendship – in Ireland, Turkey, the Balkans and Australia. “Here are powerful, wise poems of humane sensitivity and good sense, a voice pitched always in the true register of compassion,” wrote Theo Dorgan, “luminous meditations that open up original avenues of vision and thought. Straight from the heart.”

    Robyn’s most recent book Under This Saffron Sun / Safran Güneşin Altında, Turkish translations Mehmet Ali Çelikel, returns to Turkey; capturing place, friendship, change and uncovering the similarities between peoples which unite us all, rather than divide. It gently alludes to Syrian refugees, to the desire for peace and for stability, to hold onto the things which bind. Mostly, it is about friendship, ‘different ways with love’ and place. Of this book Paula Meehan, Ireland Professor of Poetry (2013–2016) wrote: “Everywhere here a flag is hoisted for our common and shared humanity, in language rich, resonant, precise … From Istanbul to Cappadocia, to Marmaris, a book of the good things we find on this earth: a song of colour, pattern, taste and feeling, weaving that needs the map inside the hands as she so memorably puts it … the ultimate healing solace to be found in the authenticity/ of connection.”

    Robyn’s poetry appears in national and international journals, and in over forty anthologies, including Being Human, ed. Neil Astley (Bloodaxe Books, UK, 2011) and eight editions of Best Australian Poems (Black Inc.). She has read and taught in Ireland for thirty-six years and has been invited to read in India, Portugal, Ireland, the UK, the USA, Greece, Austria, Bosnia, Serbia, Turkey and Italy, where, along with Canada, Spain and Japan, she has also been published, sometimes in translation.

    Her work has been featured on ABC’s PoeticA, the RTE Poetry Program and TG4 (Ireland). She has been filmed reading for the National Irish Poetry Reading Archive, James Joyce Library, University College Dublin. She has two CDs of poetry, ‘Silver Leaving – Poems & Harp’ with Lynn Saoirse, and ‘Off the Tongue’.

    Previous to 1996, when Robyn was diagnosed with breast cancer and left academic life, she was Professor, Head of the School of Social Inquiry, and Director of the Australian Women’s Research Centre at Deakin University. Robyn has edited and refereed for a multitude of international journals. In the 1996 Honours List she was made an Officer in the Order of Australia by the Governor General on behalf of the Australian Government for her national and international contribution to women’s health and higher education.


    Robyn Rowland’s poetry appears in UNFURL /2

    Go to robynrowland.com

    Reviews and articles

  • Peter Lach-Newinsky

    Peter Lach-Newinsky

    Born in Germany to German and Russian parents, Peter Lach-Newinsky came to Australia as an infant and grew up in Sydney speaking German at home. After studying English, French, German, Theatre and Political Philosophy at Sydney, Munich and Frankfurt universities, he lived and worked in Germany from 1967 to 1987. He returned to Australia with his wife and son after the Chernobyl disaster.

    Peter’s three poetry books are Cut a Long Story Short (Puncher & Wattmann 2014), Requiem (Picaro Press New Work 2012) and The Post-Man Letters & Other Poems (Picaro Press New Work 2010). His awards include the Varuna-Picaro Publishing Fellowship Prize (2009), the Melbourne Poets Union International Poetry Prize (2009 and 2010) and the Vera Newsom Poetry Prize (2011). Published in Best Australian Poetry 2015, he has also been twice shortlisted for the Newcastle Poetry Prize, and been runner-up or commended in the Overland Judith Wright Poetry Prize for New and Emerging Poets, the Arts Queensland Val Vallis Poetry Prize, the Shoalhaven Literary Award.

    Peter lives with his wife Barbara in Bundanoon in the southern highlands of New South Wales. Their twenty-acre working property is designed along permaculture lines and includes 120 heritage apple varieties.

    Read Peter Lach-Newinsky’s poetry

    Website: ‹ https://peterlachnewinsky.wordpress.com ›.

    Peter’s other website of translations from the German is ‘Passing on the Flame’: ‹ http://peterln.wordpress.com ›.