Month: May 2021

  • Cloud Bank

    ‘Cloud Bank’ is a multimedia presentation of poetry, images, and music. The creatives who collaborated on it are: Gina Mercer: a Tasmanian ecopoet who revels in collaboration. Kelli Miller: a photographer who celebrates the wilderness through her astro-photography, nightscapes, and landscape photography. ‹https://www.seensations.com/› Silverwood: a flute trio comprised of Lynne Griffiths (alto flute and harp), Carlie Collins (bass flute) and Angie Bull (flute). Silverwood compose and play original works inspired by the Tasmanian environment. ‹https://www.facebook.com/SilverwoodTa… https://bit.ly/unfurls.

    Cloud Bank
    
    I’m skipping up to the Cloud Bank. Need to fill my pockets full of clouds.
    Withdraw a bundle of those shiny, light, and frothy ones ‒ to balance out, discount,
    the darkening miasmas of pandemic panic. That’s the world’s weather about now.
    
    Yes, I need a stash of those small, round, flotsam clouds that frolic on high
    summer skies. Frolicsome cirrocumulus. That’s the currency I need.
    Interest in such clouds is sky high.
    Floating rates. Stratospheric.
    
    And maybe, while I’m at it, I’ll stock up on some of those spectacular, lenticular
    clouds. The ones people mistake for spaceships. Maybe apply for a loan
    on the futures market? Definitely wouldn’t be a blue skies investment.
    Happy to go into hoc to get a stock of stratocumulus lenticularis duplicatus.
    Feed my hunger for wonder.
    
    Is there any need to worry there might be a run on the Cloud Bank in these uncertain
    times? Good news is ‒ there’s never a deficit. No shortfalls. Forecasters predict
    the Cloud Bank is always in surplus, can supply any level of demand.
    Orographic to cirrus. Stratus to altocumulus.
    Every cloud currency in plentiful supply. Your balance is always in the black
    and steel-blue. Flame and cream. Purple and green. Apricot and grey.
    And, of course, gold is standard, especially at sunrise.
    
    The Cloud Bank specialises in updrafts, never overdrafts. Simply cast your eyes up.
    Take in a draft.  Draw down as much as you need from the endless lines of credit.
    Let’s skip up to the Cloud Bank.
    Use our inbuilt iris scanners to open up the vaults.
    Get ourselves a pocket-full, head-full, heart-full of clouds.
    Feed our hunger for wonder.
    
    
    
    
    
    by Gina Mercer
    

    (Published first by Burrow, 2, Phillip & Gillian Hall (eds), Old Water-rat Publishing, Feb 2021.)

    Gina Mercer unfurl posts

  • unfurl /6

    unfurl /6

    Steve Cox, Anna Jacobson, Tara Mokhtari, Anne Casey,
    Stephen J. Williams

    Screenshots (~10MB PDF)

  • Anna Jacobson

    Anna Jacobson

    Anna Jacobson is a writer and artist from Brisbane. Amnesia Findings (UQP, 2019) is her first full-length poetry collection, which won the 2018 Thomas Shapcott Poetry Prize. In 2020 Anna won the Nillumbik Prize for Contemporary Writing (Open Creative Nonfiction), was awarded a Queensland Writers Fellowship, and was shortlisted in the Spark Prize. In 2018 she won the Queensland Premier’s Young Publishers and Writers Award. Her writing has been published in literary journals and anthologies including Chicago Quarterly Review, Griffith Review, Australian Poetry Journal, Cordite, MeanjinRabbit: a journal for nonfiction poetry, and more. Anna’s poetry chapbook The Last Postman (Vagabond Press, 2018) is part of the deciBels 3 series. She is a PhD candidate at QUT specialising in memoir. She holds a Master of Philosophy in poetry (QUT 2018),  a Graduate Certificate in Museum Studies (UQ 2019), a Bachelor of Fine Arts (Creative and Professional Writing) (QUT 2015), and a Bachelor of Photography with Honours (Griffith University 2009). She was a finalist in the 65th Blake Art Prize, 2019 Marie Ellis Prize for Drawing and 2009 Olive Cotton Award for Photographic Portraiture. She won the 2009 Queensland Poetry Festival Filmmakers Challenge. Her website is www.annajacobson.com.au


    Open UNFURL /6 to read Anna Jacobson’s poetry and see her video.

  • Tara Mokhtari

    Tara Mokhtari

    Dr. Tara Mokhtari is a Persian poet, born in Canberra, residing in New York City. Poetry is deeply ingrained in Persian culture and in the spirit of Persian people, and Mokhtari’s mother, Pari Azarmvand Mokhtari, is a world expert in Hafez. Mokhtari wrote her first poem at age 13, and a few years later, upon pausing to take a breath between the first two stanzas of Stevie Smith’s poem ‘Black March,’ Mokhtari made the conscious decision (which was likely made in and by the universe much earlier) that poetry was her life’s work. As a postgraduate student at RMIT University for both her PhD and Masters creative projects, Mokhtari wrote verse novels, which accompanied critical dissertations on modern poetry and poetics. Stevie Smith remained at the center of Mokhtari’s research during these years.  

    While poetry is her most enduring love, Mokhtari writes across the creative media. She was a founder and the in-house playwright of Canberra theatre company, The Nineteenth Hole (est. 2001), and was commissioned to write a play for Canberra’s preeminent independent company, Free Rain, when she was just 18. These plays earned multiple awards and nominations. Mokhtari went on to write for screen on assignment, most recently writing an original sci-fi feature film for Crick Films (Canberra) and a feature adaptation of a New York Times best-selling book for Barry Navidi (London/Los Angeles).  

    Mokhtari’s first collection of poetry, Anxiety Soup, was published in Australia by Finlay Lloyd Press (2013). The poems are connected thematically as snippets of daily life that shift the existential core of the speaker in some way. Mokhtari’s co-edited book of essays, Testimony, Witness, Authority: The Politics and Poetics of Experience, was published in 2013 by Cambridge Scholars Publishing. In 2012 and 2011, Mokhtari edited the English translations of two books by Dr. Hashem Rajabzadeh (Rikkyo University, Japan) who is a recipient of The Order of the Sacred Treasure in Japan for his lifelong work in introducing Persian culture to Japan.  

    The culmination of her work—creative, scholarly, and pedagogical—is Mokhtari’s book, The Bloomsbury Introduction to Creative Writing (2015), which is now in its second edition and has been translated into Simplified Chinese. The book has been adopted by university programs in the US, UK, Canada, and Australia, approaches creative writing as a form of knowledge that, for the writer, is symbiotically linked to experience.  

    Mokhtari is part of the wonderful faculty at CUNY Bronx Community College’s Communication Arts and Sciences department, and lives in Brooklyn with the world’s greatest cat, Malake. Mokhtari has given guest lectures at SUNY Oswego (NY), BRIC TV (NY), Victoria University (Melbourne), This Is Not Art Festival (New Castle), and her works are published in magazines and anthologies in the US, Australia, Prague, and beyond.  


    Open UNFURL /6, where you can read Tara Mokhtari’s poetry.